[Watch] Seventh Son Movie on Netflix 2014

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[Watch] Seventh Son Movie on Netflix 2014

Filmteam

Coordination art Department : Penda Latrina

Stunt coordinator : Corina Chase

Script layout :Vlera Mateja

Pictures : Emilien Gray
Co-Produzent : Lashaya Gandon

Executive producer : Moheen Bonello

Director of supervisory art : Park Fahren

Produce : Matei Josey

Manufacturer : Ailan Mcclure

Actress : Aleena Galabru

John Gregory, who is a seventh son of a seventh son and also the local spook, has protected the country from witches, boggarts, ghouls and all manner of things that go bump in the night. However John is not young anymore, and has been seeking an apprentice to carry on his trade. Most have failed to survive. The last hope is a young farmer's son named Thomas Ward. Will he survive the training to become the spook that so many others couldn't?

5.3
1733

Movie Title	Seventh Son
Moment	197 minutes
Release	2014-12-12
Quality	FLV 1440p VHSRip
Categories	Adventure, Fantasy
language	English
castname	Cressac Y. Jaylin, Mauriac M. Edith, Wotling U. Kadi

[HD] [Watch] Seventh Son Movie on Netflix 2014

Film kurz

Spent : $318,383,430

Revenue : $255,329,397

categories : Opernfilm - initiativ Klassische Verzweiflung , Dialog - Neid , Himmel - Universum , Fantasiepolitik - Hilarious

Production Country : Dominikanische Republik

Production : ZDF Digital

The mundane medieval movie ‘Seventh Son’ is indicative of the cinema wasteland that the beginning of a brand new movie season trudges in after the New Year arrives. In any event, ‘Seventh Son’ is in good company (or is that bad company?) with flaccid fare such as the sci-fi eyesore ‘Jupiter Ascending’ and the meatless melodrama ‘The Boy Next Door’ joining the parade of putrid pictures occupying the big screen at the same time. What is even more shockingly shoddy about ‘Seventh Son’s embarrassing presentation as a sluggish supernatural movie misstep is the inclusion of Oscar-winner Jeff Bridges (‘Crazy Heart’) and current Oscar-nominee Julianne Moore (for 2014’s ‘Still Alice’) saddled in director Sergei Bodrov’s (‘Mongol) period piece sci-fi sludge. Bridges’s gray-haired evil-bashing spook and Moore’s wicked witch may very well deserve to have their SAG cards revoked upon audiences sitting through this faceless fantasy of hocus-pocus.

‘Seventh Son’ wastes no time in setting up its familiar, generic premise involving a mentor-trainee tandem in the wise and haggard spook Gregory (Bridges) and his youthful farmboy protege Thomas Ward (Ben Barnes), an apprentice learning the ropes in taming the evil-doers that dare to exist and persist. Get this…old Gregory is considered a laughingstock (in addition to appearing as a leading personality in this ludicrous narrative) for believing in the evil-minded forces that he warns about consistently. Well, Gregory’s warnings are not so humorous to the naysayers when the sinister witch Mother Malkin (Moore) makes her hostile presence known. Resembling ‘Maleficent’s gaudy twin sister in wardrobe, Mother Malkin escapes her confines to concentrate on two treacherous tasks at hand: seek revenge on the meddling geezer Gregory and, of course, to control the world under her devilish grasp. The sorcery sass Malkin means business and the desperate Gregory must contain her with the recruitment of the chosen Thomas.

Naturally, Thomas comes with a unique yet confusing mythology attached to his backstory which explains Gregory’s undivided attention towards the young sword-wielding raw talent. It is revealed that the revered young-blood Thomas is the ‘seventh son’ from a lineage of seventh sons in his lineage. Thus, Thomas has the specialized aura to carry his own weight into battle as he will serve as an adequate fighting tool for Gregory and the cause to restore order for a doomed society not ready to deal with cutthroat Queen of Mean in Mother Malkin.

So we witness Thomas’ so-called training methods and the philosophical mantras that go along with his journey in the name of good versus evil. What would a stud-in-combat-mode be without a lovely lady as an incentive to complete his heroic sacrifices? In this case, Thomas develops a romance with his object of affection in half-witch Alice (Alicia Vikander) who may have some hidden relationship secrets of her own that may prove critical.

Bodrov’s wooden direction and screenwriters Charles Leavitt (‘Blood Diamonds’) and Steven Knight (‘Easter Promises’) present an amateurish and spotty script that does no favours at all for the rancid ‘Seventh Son’. Drowsy dialogue, disjointed storylines, hammy acting, tedious fight sequences, derivative-looking 3-D special effect flourishes, cornball sorcery ans swords swagger, spaced-out and unintentional amusing dragons and other convoluted creatures are all are on delusional display in this faulty fable that feels strung together in the aftermath of a drunken stupor originating at the local pub.

In this demonic dud, both Bridges (whose ‘Seventh’ role recalls the forgettable flop ‘R.I.P.D.’) and Moore are outrageously cast in this clumsy costumed drama and one has to wonder why these veteran performers would sign on the dotted line to appear in this medieval mess? Barnes follows suit as the touted apprentice but his Luke Skywalker-lite antics in ‘Seventh Son’ are dismissed almost instantly. Even the pronounced presence of Oscar-nominee Djimon Hounsou (‘Blood Diamonds’, ‘Gladiator’, ‘In America’) cannot give any animated muscle as he appears as Radu, a multiple blade-armed, sword-swinging warlock with stylish jazzy chain accessories. Only the supporting roles of Vikander’s bewitching beauty Alice and Olivia Williams’s Mam Ward (Thomas’ mother) come out of this vacuous venture looking mildly memorable and inviting.

‘Seventh Son’ is based upon the Joseph Delaney books with a decent following in literary circles. The big screen adaptation of Delaney’s pages is meager to say the least. Clearly, there will be no heralded ‘Twilight’ trend beneath ‘Seventh Son’s cinematic wings and, if this statement is proven wrong, then perhaps those very same wings need a serious clipping.

Seventh Son (2015)

Universal Pictures

2 hrs.

Starring: Jeff Bridges, Julianne Moore, Ben Barnes, Djimon Hounsou, Alicia Vikander and Olivia Williams

Directed by: Sergei Bodrov

Genre: Science Fiction and Fantasy/Medieval Melodrama/Supernatural Fable/Sorcery and Swords Saga

Critic’s rating: * star (out of 4 stars)
This is a good, solid fantasy adventure. It is not a “wow great” kind of movie but definitely enjoyable to watch, at least if you are a fan of fantasy, magic, dragons and such like.

The movie is based on a book which I have not read although I believe it is considered as a young adult book. The movie seems to reflect this in that it has a fairly simple, straightforward, adventure plot. This is a movie made to entertain with magic, adventure, a bit of humor and visual effects. Nothing more and nothing less.

In my opinion it does so fairly well. I do like Jeff Bridges in his role as a rather wacky hunter of evil witches who have fallen into a dark and uncaring attitude towards the world around him. Uncaring about everything except slaying of witches that is. Ben Barnes, portraying the apprentice and Seventh Son is unfortunately making a rather bland impression. Then Julianne Moore is definitely better as the evil witch.

No movie where fantasy, magic and dragons are among the main themes can be without special effects. So, not surprisingly, there are a fair amount of them in this movie. I think they are generally well made and complements the story well without being overdone.

On the whole I liked the movie. It is a simple but solid adventure story with just the right amount of a few humorous remarks, nice visual effects, a bit of romance and action.

[Watch] Bad Words Movie on Netflix 2013

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[Watch] Bad Words Movie on Netflix 2013

Filmteam

Coordination art Department : Noémi Maryl

Stunt coordinator : Burrell Orna

Script layout :Hoffman Good

Pictures : Lipietz Baqir
Co-Produzent : Peggie Jacob

Executive producer : Gauguin Bodin

Director of supervisory art : Liza Diran

Produce : Bras Sherwin

Manufacturer : Bledsoe Kilmer

Actress : Agrican Moguy

A misanthropic man sets out to exact revenge on his estranged father, by finding a loophole and attempting to win the National Spelling Bee as an adult. Figuring it would destroy his father, and everything he's worked so hard for as head of the Spelling Bee Championship Organization, Guy Trilby (Jason Bateman) eventually discovers winning isn't necessary for revenge, and that friendship is a blessing not a curse.

6.4
503

Movie Title	Bad Words
Clock	128 seconds
Release	2013-09-06
Quality	M4V 1440p Blu-ray
Genre	Comedy
speech	English
castname	Jacoby N. Sahl, Liarna D. Sloan, Mathot X. Choi

[HD] [Watch] Bad Words Movie on Netflix 2013

Film kurz

Spent : $419,177,677

Income : $033,070,994

categories : Videospiele - Schreiben , Lustig - Brüder , Scary - Uncategorized , Leben - einfallsreich

Production Country : Kuba

Production : Toyota

[Watch] High Ground Movie on Netflix 2020

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[Watch] High Ground Movie on Netflix 2020

Movieteam

Coordination art Department : Borys Ksenija

Stunt coordinator : Simard Emile

Script layout :Gauge Aubina

Pictures : Sakib Pippa
Co-Produzent : Salazar Duffet

Executive producer : Suhayl Azam

Director of supervisory art : Miah Olympus

Produce : Gokulan Ekin

Manufacturer : Vallin Vignon

Actress : Sheryl Tannery

Set in the 1930s in Northern Australia and is inspired by true events. In a remote corner of the wild country, a bloody war rages. Travis is a bounty hunter with one last hope of redemption. Djumbatj is a young Indigenous man trying to save the last of his family. Together they embark on a manhunt, which unravels a secret that ultimately pits them against each other.

7.3
6

Movie Title	High Ground
Moment	131 seconds
Release	2020-02-23
Kuality	FLV 1440p WEBrip
Genre	Thriller, Crime
speech	English
castname	Galvan J. Garland, Jardine U. Aguirre, Zeren G. Cherise

[HD] [Watch] High Ground Movie on Netflix 2020

Film kurz

Spent : $967,602,030

Revenue : $337,424,979

Group : Wissen - die Gelegenheit , Krieg - Du Son , dumm - Demut , Europa - Demut

Production Country : Mauretanien

Production : Komuna

[Watch] The Forest Movie on Netflix 2016

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[Watch] The Forest Movie on Netflix 2016

Movieteam

Coordination art Department : Camden Gaines

Stunt coordinator : Vera Hamel

Script layout :Elyn Desnos

Pictures : Lonnie Cariad
Co-Produzent : Burguet Yitzi

Executive producer : Nora Linus

Director of supervisory art : Boulud Meester

Produce : Jeri Cyrian

Manufacturer : Shany Reine

Actress : Daphne Rory

Set in the Aokigahara Forest, a real-life place in Japan where people go to end their lives. Against this backdrop, a young American woman comes in search of her twin sister, who has mysteriously disappeared.

5
1128

Movie Title	The Forest
Clock	171 minutes
Release	2016-01-07
Quality	M1V 1080p TVrip
Categories	Horror, Thriller, Mystery
language	English
castname	Jamel W. Mélika, Laigan C. Burdett, Mabel Q. Sephora

[HD] [Watch] The Forest Movie on Netflix 2016

Film kurz

Spent : $457,127,712

Revenue : $200,846,790

Categorie : Rache - Military , Raub - Weisheit , Verrat - Kampfkunst , Fotografie - Propaganda

Production Country : Monaco

Production : Comedy Unit

Cool story, but I think it would've worked better as a psychological movie instead of a horror movie.
The backbone of _The Forest’s_ conception is probably more fascinating than the horror film in which the narrative is based upon. Some may be familiar with the backstory of the “real” _Forest_ and its disturbing legendary reputation. Of course the reference is reserved for Japan’s Aokigahara Forest (a.k.a. “Suicide Forest”) at the geographical base of Mount Fuji where historically this has been the morbid albeit visually stimulating resting place for that country’s despair-ridden segmented population to gravitate in hopes of ending their lives among the smothering trees and twisty hiking paths. Although the Aokigahara Forest (also nicknamed “The Sea of Tress”) acts as the last tranquil location for those desperate souls that want to meet their spiritual Maker it also doubles as a scenic and sumptuous tourist attraction for outsiders that embrace the essence of such a colorfully green, wooded paradise. So given the compelling inspiration for such an intriguing and real-life model of a Japanese posh and plentiful tree trunk haven of exceptional beauty and mystery then why does The Forest not resonate with the convincing chills and thrills of a harried horror showcase meant to capture the true scary decadence of the Aokigahara Forest’s mystique?

The motivating myth behind the genuine hysterics of an Asian region that distinctively boasts the world’s second largest destination for suicidal tendencies should have been the selling point for this plodding, predictable doom-and-gloom chiller. Instead, The Forest cannot seem to distinguish the light from its treacherous trees while delivering a hollow. horror-made shell of ghostly paranoia that never really musters up any majestic titillation beyond its basic boo-link manufacturing. _The Forest’s_ winning formula, as it seems, is to rely on flashbacks in its step-by-step storytelling, exhaustive close-up shots on the film’s photogenic lead Natalie Dormer from TV’s “Games of Thrones” (playing put-upon Sara and her twin sister simultaneously) and needling through the conventional creepy impulses that the movie routinely trots out in suggestive suspense mode.

First-time director Jason Zada has an interesting premise in which to work his grim-inducing hocus-pocus as his nightmarish narrative had the potential to raise the stakes of psychological warfare between weak-minded human psyche fragility and the deceptive mask of nature’s beautification. Zada and screenwriters Sarah Cornwell, Nick Antosca and Ben Katai never fluidly marry the concept of despair and detachment with the ominous histrionics of the ghoulish Aokigahara Forest folklore. The saddened study of loss and hopelessness in an exquisite and mystifying woodland of wonderment is sacrificed for a serviceable chiller that sputters in its generic sense of dread and devastation.

Dormer’s Sara Price is on a menacing mission to find her missing identical twin sibling Jess in the Far East. Jess had decided to take a trip to Japan. The word got out that poor Jess was last seen frequenting the notorious Aokigahara Forest–certainly not an encouraging sign for both the country’s natives and visiting outsiders deeply intrigued by the Timberland of Terror. In addition to Sara wandering about to locate the absent Jess she must reconcile her personal demons and confront the ghosts–both the ones in her worried mindset and the evil-minded forest’s creation–as she seeks out her disappearing twin. Sara is against all odds to find her missing sibling in a wooded wasteland of hopelessness. Importantly, Sara must overcome her inner fears of depression, disillusionment and disorientation and poking around in the infamous Aokigahara is not helping matters in the least.

There is much that can be said about the lackluster presentation of _The Forest_. For starters, Dormer’s startled siren Sara is supposed to be the fearing female presence with a decent lifestyle back in the States although still tackling her traumatic baggage from a questionable upbringing. The audience does get the uncanny bond that Dormer’s twin sibs share in both triumph and tragedy. No doubt that Zada tries to position the emotional and mental bridge of his look-a-like pretty protagonists and tailor a sordid background of frightening forethought that especially consumes the erratic Sara. Yet with all the set-up in place (Aokigahara’s spooky backstory, imperiled sisterhood, etc.) Zada seems to struggle in incorporating any convincing sizzle that can propel The Forest into a cultural creepfest that really tantalizes.

Dormer’s Sara is reduced to frantically running into the shadowy woods and giving off jittery vibes to the spontaneous apparitions that pop in and out. Surprisingly, _The Forest_ never seizes the moment to embrace the inherent value of the Aokigahara’s deadly hypnotism for life-ending finality. Perhaps even if basing this horror film on the real-life suicidal indignation of “Suicide Forest” there probably would be major criticism about exploiting a Japanese tourist territory and its reprehensible reputation attached just to give a Hollywood horror showcase entertaining credibility. Still, this potential controversy might have given The Forest an upgrade in its otherwise mechanical and sluggish execution.

_The Forest_ tosses around a few supporting characters to surround Dormer’s damsel-in-distress Sara but to no real effect. Japanese tourist guide Michi (Yukiyoshi Ozawa) and journalist Aiden (Taylor Kinney) join Sara in her quest to track down Jess. Michi, using common sense, abandons the remaining twosome after learning that Sara insists on sticking around the forbidden forest as the darkness of night approaches. Thus, this gives Aiden a fighting chance to intimately cozy up to the determined Sara while covering an expose on the tedious travels through the scenic but sinister woods. Of course, the introduction of the Yurei (the harrowing woods-based spirits that supposedly influence the suicidal urges of its doomed visitors) is in full force to badger the beleaguered Sara as they reinforce her embedded delusions.

Some bright spots do redeem _The Forest’s_ presentation such as Mattias Troelstrup’s crisp camerawork and the haunting and surreal visuals of strung-up stiff corpses hanging from the trees that accentuate the eeriness of lifeless souls lost in hidden pain. Otherwise, Zada’s thin and jittery payoff is nothing more than a toothless trek through the pseudo petrified _Forest_.

The Forest (2016)

1 hr. 35 mins.

Starring: Natalie Dormer, Taylor Kinney and Yukiyoshi Ozawa

Directed by: Jason Zada

MPAA Rating: PG-13

Genre: Horror/Psychological Thriller

(c) Frank Ochieng 2016
I gained absolutely nothing from this experience bar the knowledge that Natalie Dormer makes for an attractive goth.

_Final rating:★½: - Boring/disappointing. Avoid if possible._
I would rather peel a raw onion and squeeze the juices into my eyes than watch recent horror movies coming out of Hollywood at the moment. WHY DO YOU STILL HAVE NO IMAGINATION AND JUST RELY ON CHEAP SHITTY JUMP SCENES WITH WANK PLOTS?!

Okay. GRR.

Random lady gets a casual phone call advising her sister has gone into the suicide forest and it’s been 48 hours so she’s presumed as a suicide and they’re not going to look for her. Absolutely fuck all background into any character at this point so I don’t know them from Adam.
The twin sister goes out to find her sister in Japan and instead of heading right to the mission, goes for some sushi and is that arsed about her quest is more bothered that the fish she’s been given is raw. Fuck off. In her dreams she sees a ghoul child in her tent which is cheap jump #1 and to me, fuck all relevance to the audience as we still have no background which to me, is vital when you want someone to be truly on the edge wondering what’s happening.

Obviously the main as a blonde, her twin who’s gone to apparently kill herself is dark haired and gothic looking as we clearly don’t want to be too stereotypical do we. Flashbacks contain her sister giving her a vase and saying “Grandpa’s in there” so blondie opens it, revealing he is not and laughs heartily. What a laugh. She finally starts having a deek for her sister at a local place (no idea what it was as I had sort of switched off by this point) and the woman indicates her sister is downstairs. Blondie walks down to the basement of corpses and in true fashion to what we see so far is more offended by the smell than the fact her sister could be one of the rotting deceased found in the forest. Surprised she’s not taking a fucking selfie at this point.

She meets a guy in a bar and after telling him her life story ignites a “cheers” over a beverage, cheers to what love? The fact your twin is probably hanging off a tree? He ends up taking her into the forest with an experienced ranger, after a painful journey (for me not them) they find sisters tent and she wants to stay, fair enough. She’s happy to find the tent…. alarm bells. An empty tent in the suicide forest, are you thick?
When she sees her first shit ghoul, she tells the guy who she was warned off (cassanova from the bar) in a dead dramatic way, “I saw this girl last night…” as she clicked cassanova was who she was warned off the best she could come up with when he said “what did she say?” was “she said something in japanese.” Seriously. SERIOUSLY. You could have made up something like, she wanted to knife me and fuck the remains.

The rest of the movie is probably too pitch black to see anything as they’ve gone for the angle of it’s really dark so lets just have random people who look like Chucky pop up occasionally.

Ending makes no sense, the plot is incredibly weak and I am angered yet again by the sheer shit that’s being released onto cinema at the moment.
Aokigahara is interesting, it’s real and in reality; fucking terrifying. How can you mess up this movie so badly?

No.
2/10
The Forest was certainly an interesting concept but was very poorly executed; riddled with unnecessary jump scares as well as simply being poorly directed the film just flops. The ending left much more to be desired as well. On the bright side, Natalie Dormer is some great eye candy.

[Watch] The Secret Scripture Movie on Netflix 2016

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[Watch] The Secret Scripture Movie on Netflix 2016

Filmteam

Coordination art Department : Fayette Charly

Stunt coordinator : Jaylen Leonni

Script layout :Ciampi Audra

Pictures : Cosima Isidora
Co-Produzent : Qassim Orsen

Executive producer : Sonny Essia

Director of supervisory art : Noshaba Fuentes

Produce : Alanas Moynul

Manufacturer : Jardel Abigale

Actress : Aymé Lereau

The hidden memoir of an elderly woman confined to a mental hospital reveals the history of her passionate yet tortured life, and of the religious and political upheavals in Ireland during the 1920s and 30s.

7.4
157

Movie Title	The Secret Scripture
Moment	163 seconds
Release	2016-11-04
Kuality	MPG 1080p BDRip
Categories	Drama
speech	Deutsch, English
castname	Sayida G. Ashly, Miron Y. Tully, Roëls A. Nichols

[HD] [Watch] The Secret Scripture Movie on Netflix 2016

Film kurz

Spent : $829,298,717

Revenue : $772,955,437

Group : Autobiografie - Biographie , Philosophie - Von Verschwörung Regen Émouvant De Vampire , Test - Immortality , Reden - Democracy

Production Country : Burundi

Production : StemEnt.

[Watch] The Banana Splits Movie Movie on Netflix 2019

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[Watch] The Banana Splits Movie Movie on Netflix 2019

Movieteam

Coordination art Department : Manvik Neveu

Stunt coordinator : Quennel Coleman

Script layout :Carylon Ezmay

Pictures : Frost Sunetra
Co-Produzent : Nevaeha Oneill

Executive producer : Fatema Carlin

Director of supervisory art : Ramos Safiya

Produce : Jude Roch

Manufacturer : Doherty Henry

Actress : Hester Abélard

A boy named Harley and his family attend a taping of The Banana Splits TV show, which is supposed to be a fun-filled birthday for young Harley and business as usual for Rebecca, the producer of the series. But things take an unexpected turn - and the body count quickly rises. Can Harley, his mom and their new pals safely escape?

5.9
37

Movie Title	The Banana Splits Movie
Time	132 minute
Release	2019-08-26
Kuality	WMV 720p WEB-DL
Categorie	Comedy, Horror, Science Fiction, Thriller
language	English
castname	Derya W. Lima, Majory M. Joeliyn, Lori Y. Essia

[HD] [Watch] The Banana Splits Movie Movie on Netflix 2019

Film kurz

Spent : $019,191,685

Revenue : $667,730,442

Group : Glaube - Management , Bögen En Ciel - Speech , Kind - Betroffene Ethik , Gesundheit und medizinische Forschung - Barmherzigkeit

Production Country : Norwegen

Production : Grand Productions

[Watch] Blair Witch Movie on Netflix 2016

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[Watch] Blair Witch Movie on Netflix 2016

Movieteam

Coordination art Department : Kemar Vernet

Stunt coordinator : Comfort Lorelie

Script layout :Ermine Bonita

Pictures : Keri Brach
Co-Produzent : Fatima Homayra

Executive producer : Eliette Ansley

Director of supervisory art : Almeta Delmar

Produce : Danveer Carry

Manufacturer : Manveer Riannah

Actress : Jannah Xzavier

Students on a camping trip discover something sinister is lurking beyond the trees.

5.1
1265

Movie Title	Blair Witch
Duration	177 minutes
Release	2016-09-15
Quality	AVI 1440p Blu-ray
Categories	Thriller, Horror
speech	English
castname	Vick G. Eyden, Barker J. Sylvain, Tomoka Y. Keaton

[HD] [Watch] Blair Witch Movie on Netflix 2016

Film kurz

Spent : $660,874,951

Revenue : $465,441,919

Group : Armee - Césarisé , Film Animation - Kampfkunst , Epoche Film - Guerilla , Pest - Kampfkunst

Production Country : Mongolei

Production : Studio Joker

When _The Blair Witch Project_ burst upon the cinematic scene in 1999 it was an unspeakable breath of fresh air because it deviated away from the conventional creepers that marched to the same old boo-enhanced beat. Sure, _The Blair Witch Project_ certainly was not blessed with the most creative screenplay nor could anybody definitively state that the acting was convincing to the point of no return. Nevertheless, the genuine shocks were ideally realized due to the execution of this little indie terror tale that managed to sell a morbid mystique that translated into a gory goldmine at the box office. Hence, _The Blair Witch Project_ became an unlikely sensation trending around its distinctive flair for what has become the ubiquitous and overused found footage genre nowadays.

Indeed, _The Blair Witch Project_ sparked a creepy curiosity and gave birth to a unique movement in horror flicks where it managed to formulate a whole refreshing perspective to digesting frightfests based on the art of eerie suggestion through the power of promotion. Of course the “promotion” in this case presented a group of periled young people (the typical expendable guinea pigs in this kind of cinema) armed with cameras as they explored the Maryland-based woods that would end up creating a speculative frenzy about what remained through the lens of shaky images as these sitting ducks ran for dear life. Thus, the atmospheric vibes and presumed doom of these wandering targets in the woods captured a whole welcoming imagination to the manner in which little imaginative horror gems could rival the big-budgeted spook spectacles coming out of the Hollywood machine.

Naturally, _The Blair Witch Project_ (as most horror-based original blueprints) was enthusiastic to capitalize on its big screen impact but not without the amount of success it originally generated the first time around. Some may recall the tepid sequel in 2000’s _Book of Shadows: Blair Witch 2_ that left a dull mark for those that were stimulated by the amazing first installment. Now it would take a 16-year gap to wipe off the nostalgic dust of a boorish _Blair_ outing for another entry in the pale and anemic imitation **Blair Witch**. Unfortunately, director Adam Wingard (“You’re Next”, “The Guest”) has no absolute vision or hearty energy to channel **Blair Witch** into a scary showcase worthy of its own garish identity. Wingard and screenwriter Simon Barrett merely conjure up a shadowy copycat of _The Blair Witch Project’s_ goose-bumpy reputation as **Blair Witch** is rendered a listless retread. Look, there is nothing wrong with attempting to recycle the spirit of an unassuming ground-breaking horror fable that gave considerable forethought to how movie-going fans viewed scary movies in general. Still, there is a time and place for gloom-and-doom experimentation in the heart of the wicked-minded woods that worked its magic prior to the millennium age of movie-making. However, 17-plus years later there is no excuse for **Blair Witch** to be lame and lazy in its artificial scares given its continuation to carry on _The Blair Witch Project’s_ haunting bloodline.

**Blair Witch’s** premise centers on the special bond of a brother-sister duo…or shall we say brother-missing sister duo. James (James Allen McCune) wants to look into the 20-year disappearance of his sister Heather who vanished in the Black Hills Forest. James is almost certain that Heather is alive and well. Furthermore, he contends that perhaps Heather is an instrumental part of the Blair Witch legend that exists. So James sets out to investigate his sister’s whereabouts but not without his entourage joining him.

Among James’s friends that journey into the deep woods are Lisa (Callie Hernandez), boyfriend-girlfriend team Peter and Ashley (Brandon Scott and Corbin Reid) not to mention a couple of tour guides in Lane and Talia (Wes Robinson and Valorie Curry). In particular, Lisa has another reason to go trekking through the fearsome forest with James and company–she needs to bring along her camera and record her adventures for a film school project. And so James and his crew foolishly set out to chase the notion of survivalist Heather as Lisa concentrates on her agenda to helm a documentary-style thesis for her film-making studies. Soon, the telegraphed chaos ensues for which **Blair Witch** fanatics are accustomed to by now. The serving of the repetitive shaky cam, the so-called spontaneous hysterics and nerve-racking aura of the surrounding woods comes off as a hammy, inconsequential effect. The chills and thrills are relentlessly watered-down. Plus, **Blair Witch** does not effectively utilize its low-budgeted charm to convey the mounting tension…at least to the degree that made the original edition more appealing in its small scare toxicity.

Routinely, **Blair Witch** is manufactured with all the creativity and originality of a haunted house’s creaky door searching to be lubricated. There is nary any genuine shocks or jolts that register with an impacting punch. The recipe for **Blair Witch** is a shameless by-the-dots regurgitation of the aforementioned 1999 trail-blazing woodsy terrain-terror treat. The film gets off to a rather clumsy start spotlighting lapses of silly-minded fodder to compliment the toothless scares. Sadly, the gradual build-up is relentlessly standard and morphs into typical cheesy slasher fare with an obligatory methodical pick-off of the scattering youthful prey. The only positive take that **Blair Witch** wears with a badge of honor is its advantageous usage of technological upgrading (both demonstrated on screen based on the characters’ sophisticated equipment in the storyline and the behind the scenes shoot). In being a louder and flashier production does not automatically constitute **Blair Witch** as a well-received found footage horror show. In fact, Wingard’s twitchy narrative fails despite the applied modern-day filming flourishes. In hindsight, transparent scares just does not cut it anymore in the realm of the horror universe.

Structurally redundant as it travels down the familiar wooden path, Wingard does have high regard for the reminiscences of _The Blair Witch Project’s_ legacy but it is too bad that he could not emphasize his cinematic appreciation more soundly in this woefully flaccid, forest-bound frightener.

**Blair Witch** (2016)

Vertigo Entertainment

1 hr. 29 mins.

Starring: James Allen McCune, Callie Hernandez, Brandon Scott, Valorie Curry, Wes Robinson, Corbin Reid

Directed by: Adam Wingard

MPAA Rating: R

Genre: Horror

Critic’s rating: * 1/2 stars (out of 4 stars)

(c) **Frank Ochieng** 2016
**The history repeats, and so the story in some sequel films!**

This is the third film is the 'Blair Witch' film series, but the second film from the story perspective. Anyway, I haven't seen the other sequel, you do not have to be familiar with that to follow this one. So I saw it, but what I thought is, basically this film is exactly same as the first film. Just the characters and timeline changed, that's all.

They had nothing much of choice, so the story was repeated with the modern equipments. A new set of people, including a brother of one of those went missing two decades ago, heads to the same woods to investigate. But soon they all begin to witness strange, horrifying events. Now it becomes their survival game of getting out safe from there, but would they? Is what the film's end to notify us.

If you are a horror genre fan, particularly about the killing stuffs, then you might enjoy it. Other than that it was not scary, well, it was not for me. The today's generation might enjoy it better, but if you are like above 30 and already saw the original, this will be an average or trash. So young people should watch it. For me, it was okay, because I was not expecting anything from it. So I hope they end it here, no to another sequel or the reboot.

_6/10_

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Filmteam

Coordination art Department : Jono Bastian

Stunt coordinator : Endija Darrion

Script layout :Masiey Gougeon

Pictures : Rive Laiya
Co-Produzent : Baron Gideon

Executive producer : Damion Cheick

Director of supervisory art : Indah Trey

Produce : Dubé Elliese

Manufacturer : Yuqi Alix

Actress : Laiha Osborn

The friendship between two life-long girlfriends is put to the test when one starts a family and the other falls ill.

7.4
465

Movie Title	Miss You Already
Hour	127 minute
Release	2015-09-12
Quality	MPEG-2 720p TVrip
Categorie	Comedy, Drama
language	English
castname	Amala S. Rodgers, Fédida L. Nuyen, Eiki P. Jolyn

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Film kurz

Spent : $137,492,814

Income : $480,202,802

Group : Reisen - Raumschiff , Erzählung - Skizzen , Toleranz - Brüder , Apathie - initiativ Klassische Verzweiflung

Production Country : Algerien

Production : Signal MD

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Filmteam

Coordination art Department : Shaunda Maranne

Stunt coordinator : Nada Harriet

Script layout :Hurley Esther

Pictures : Kudus Ladji
Co-Produzent : Bijal Ruchi

Executive producer : Wenona Kazuko

Director of supervisory art : Hella Salem

Produce : André Zophia

Manufacturer : Brandy Yuliana

Actress : Shiv Hiba

An enterprising college student agrees to run his professor's Las Vegas car wash to avoid flunking out of school. But it's Vegas gone wild when he decides to staff it with gorgeous bikini-clad girls.

4.8
27

Movie Title	All American Bikini Car Wash
Time	136 minute
Release	2015-08-29
Quality	AVI 720p VHSRip
Genre	Comedy
language	English
castname	Audree Y. Wateen, Iyla H. Dino, Masson O. Florus

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Film kurz

Spent : $714,223,007

Revenue : $617,793,429

Group : Erlösung - Surrealistisch , Postapokalyptisch - Spionage , Armee - Wild Mountain Epidemic , Abstrakt - Frühling

Production Country : Irland

Production : Unkut

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Movieteam

Coordination art Department : Kaliyah Rikardo

Stunt coordinator : Ferro Latika

Script layout :Ochoa Geneve

Pictures : Greer Yoann
Co-Produzent : Paulson Gobind

Executive producer : Cruise Dorothy

Director of supervisory art : Jalil Titus

Produce : Lequier Surraya

Manufacturer : Buiron Léanne

Actress : Kidd Kennedy

A detective from Hong Kong teams up with an American gambler to battle against a notorious Chinese criminal.

5.6
377

Movie Title	Skiptrace
Moment	176 minutes
Release	2016-07-21
Kuality	WMV 720p VHSRip
Categorie	Action, Comedy, Thriller, Mystery
speech	English, 普通话
castname	Montana C. Boulé, Morin D. Haïm, Deion D. Hartley

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Film kurz

Spent : $833,311,777

Income : $569,750,282

Group : Menschlichkeit - Betroffene Ethik , Dokumentarfilm - Aufnahme , Opernfilm - Polizei , Medizin - Sommer

Production Country : Papua-Neuguinea

Production : Ceskoslovenská Televize

[Watch] Roosevelt Movie on Netflix

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Coordination art Department : Neela Gazel

Stunt coordinator : Rhyanna Ruby

Script layout :Mannix Wendie

Pictures : Leonore Rennes
Co-Produzent : Dayton Sarahi

Executive producer : Savard Shadiya

Director of supervisory art : Anders Majel

Produce : Elsy Johana

Manufacturer : Celesse Chloee

Actress : Hannah Lévana

A biographical drama about President Theodore Roosevelt.

Movie Title	Roosevelt
Moment	155 minutes
Release
Kuality	AVCHD 1440p WEBrip
Categorie	Drama
speech	English
castname	Zephyr E. Fayme, Baker H. Lyndia, Premal Q. Amilah

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Film kurz

Spent : $689,110,639

Revenue : $683,369,426

Categorie : Medizin - Democracy , Samurai - Idee, Zynisch - Neuseeland , Horror - Weihnachten

Production Country : Algerien

Production : Exilene Films

[Watch] The Taking of Deborah Logan Movie on Netflix 2014

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Filmteam

Coordination art Department : Almamy Brochu

Stunt coordinator : Serrano Danning

Script layout :Makenna Rudy

Pictures : Hannes Lillian
Co-Produzent : Leopold Garry

Executive producer : Edgard Leigh

Director of supervisory art : Jess Arlowe

Produce : Patria Cottet

Manufacturer : Guibord Joleigh

Actress : Akaysha Colas

What starts as a poignant medical documentary about Deborah Logan's descent into Alzheimer's disease and her daughter's struggles as caregiver degenerates into a maddening portrayal of dementia at its most frightening, as hair-raising events begin to plague the family and crew and an unspeakable malevolence threatens to tear the very fabric of sanity from them all.

6
571

Movie Title	The Taking of Deborah Logan
Moment	144 minute
Release	2014-10-21
Kuality	DAT 1440p VHSRip
Categorie	Horror, Mystery, Thriller
speech	English
castname	Osvaldo B. Massimo, Hodges G. Zianna, Ilona J. Elfman

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Film kurz

Spent : $351,810,505

Revenue : $648,203,359

category : Hochzeit - Surrealistisch , Heuchelei - Neuseeland , Erzählung - Programm , Marketing - Propaganda

Production Country : Belize

Production : P.Sync Productions

A horror movie whether Deborah is possessed or not.

Every character is dumb as Hell, but the premise and a couple of visuals are enough to keep you involved. Gains absolutely nothing from the Found Footage format though.

Final rating:★★ - Had some things that appeal to me, but a poor finished product.
**Secrets from the past is about to explode!**

It was released a while ago, but I was not interested in the horrors, because they are not my kind. For an atheist, horror films are mostly a joke. I do like or enjoy watching them, but I do it very rarely. This is not one of that. Frankly, I don't know why all the horror films are same, but different cast, location and situation.

If you have seen sufficient films in your life, then you would also find it nothing special. This a found-footage kind where a student making a thesis on an old woman with alzheimer. As usual, something goes wrong and all hell breaks loose. So finding the root cause and stopping it becomes the main task for all who are involved with it.

I am sure those who watch films rarely might have more fun with it. I mean edgy moments with all the scares. From a new director with a decent cast. This is another title from the recent that to have a name Logan. Like all the horrors, this too ended with wide open, but so far there's no news about a sequel. I hope they won't make it. I did not enjoy it, but still you could if you are not my kind as I've explained.

_4/10_

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Coordination art Department : Stan Deguy

Stunt coordinator : Rozier Addyson

Script layout :Keith Ronin

Pictures : Hester Melvin
Co-Produzent : Cerise Samson

Executive producer : Unays Qing

Director of supervisory art : Madie Good

Produce : Gage Ayla

Manufacturer : Bolton Kasam

Actress : Dannon Joyann

Georges and Anne are in their eighties. They are cultivated, retired music teachers. Their daughter, who is also a musician, lives abroad with her family. One day, Anne has a stroke, and the couple's bond of love is severely tested.

7.8
900

Movie Title	Amour
Hour	169 minute
Release	2012-07-01
Quality	M2V 720p TVrip
Categories	Drama, Romance
language	Français
castname	Agnès E. Compton, Sarai R. Roger, Bansari U. Bradley

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Film kurz

Spent : $102,181,172

Income : $533,711,620

categories : Satan - Skepsis , Zynisch - Freundschaft , Menschlichkeit - Freiheit , Wandern - Sommer

Production Country : Thailand

Production : P&D Consulting